Catherine Forster
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I live near water and solve most of my creative challenges in a kayak or walking close to shore. Mostly subconsciously, I note the changes in color, texture, and viscosity of the surface through the seasons, crystal clear in spring after the ice melts, heavy and somewhat murky during hot summer days, dark and full of unexpected contrasts in the autumn light, frozen in winter, clear beneath the ice. It is not surprising that water would eventually find its way into my work.
Relish the Drift explores water as art medium, metaphor and element. Golden Oldies deploys water to make visual scores; Drift is a poem about isolation, loss and acceptance; the four digital seascapes of Now for the Painter honor the painter R.J.W. Turner; Swallow explores the sheer power of water, while H2O celebrates the viscosity and texture of water and the magic marriage of water and light.
Documentation of the instalaltion can be viewed on VIMEO
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| Golden Oldies | Drift | Now for the Painter | Swallow | H20 |
The connection to all these projects is water, either as medium (Golden Oldies, Now for the Painter), metaphor (Drift, Swallow), or substance (H20).





